Consider yourself the most important person in your life. Terms which we trundle smoothly o’er our tongues He then calls to his countrymen to “stand forth” and “be men”. He beseeches his fellow countrymen to acknowledge their wrongdoing and to stand up for what is right rather than worship the idol of the British government. Just as Paul suggests that righteousness is freedom, the speaker here implies that to do the right thing would be to be thankful for times of peace and to avoid war if at all possible rather than to be hungry for victory. He says that being alone with his “solitary musings” has caused his heart to be “softened and made worthy to indulge”. blasphemous ! (Stuffed out with big preamble, holy names, Alarmism, Public-Sphere Performatives, and the Lyric Turn: Or, What Is“ Fears in Solitude” Afraid of? The rich and the poor alike, he accuses. He identifies with them and yet calls to them for repentance. On which our vice and wretchedness were tagged Even of their country ! 'Fears in Solitude' is one of Coleridge's conversation poems, as they're called - rather one-sided conversations, I think he was that kind of conversationalist - but it's a useful term. The speaker then resumes his biblical tone of a prophet to his people when he says, “Therefore, evil days Are coming on us, O my countrymen,”. spare us yet awhile ! Rank scoffers some, but most too indolent Our brethren ! And been most tyrannous. He wants them to think about war on a smaller scale and to consider what it would feel like to lose someone close. Now farewell, The speaker’s goal here seems to be to bring the realities of war to the minds of the people of Great Britain. Hexameters (William my teacher etc.) But now the gentle dew-fall sends abroad The Three Graves. This speaker suggests that even “religious meanings” can be found “in forms of Nature”. From our own folly and rank wickedness, Victoria Erickson. This also allows his audience to understand, in part, why he so longs for peace and for his country to do what is right. The tone shifts to one of lamenting and calling for change. He has no desire to be the enemy of his country, but he does need to stand up for what he believes in. We, this whole people, have been clamorous So fierce a foe to frenzy ! GA Review ... the stock of "Fears" is decidedly low these days, though not as low as "France." He refers to his “brethren” as “sons of God” which further establishes the biblical tone and use of biblical metaphor to solidify his claim that they have done wrong and must turn from their ways. Carnage and groans beneath this blessed sun ! We join no feeling and attach no form ! He calls to his countrymen to admit their guilt. And now, belovéd Stowey ! And all who ever heard the sabbath-bells Is softened, and made worthy to indulge The hills are heathy, save that swelling slope, Which hath a gay and gorgeous covering on, All golden with the never-bloomless furze, On the green sheep-track, up the heathy hill, He is a father and a husband. That’s why you have to trust in your potential. His early manhood more securely wise ! Oh ! And solitary musings, all my heart Mark Jones. The tone of this stanza reflects that of Old Testament prophets who pleaded with their fellow countrymen to repent of their ways and turn make to their God. The last line of this poem reveals that the speaker’s true heart is not for his country alone, but for all of humankind. O my Mother Isle ! (Peace long preserved by fleets and perilous seas) Much like a biblical prophet, this speaker then warns that they will not go unpunished for their deeds. The level sunshine glimmers with green light. Even though the speaker has separated himself from the rest of humanity and has, briefly, enjoyed the silence and a connection with nature and his own spirituality, his thoughts are inevitably drawn back to his fellow human beings. The speaker claims that those who cry out “freedom” in order to commit heinous acts in war are the same people who are in no way free. The readers can picture the speaker rising to leave his place of comfort in order to return to the world filled with people who are anxious for war and victory. He loves it every bit as much as other people love their country. The speaker picks up a distinctly biblical tone yet again when he says, “ Others, meanwhile, Dote with a mad idolatry”. In this stanza, the speaker accuses his own countrymen (Great Britain) of being “thankless for peace”. Do not consider Coleridge a dreamy and limp-wristed scribbler - he had trained as a soldier as a young man and distrusted the politician who can rattle off all the 'dainty terrms for fratricide' and allow the deaths of 'thousands or ten thousands'! This suggests that people are asking for proof of God because the evil they have seen has kept them from believing. No God to judge him ! Of Christian promise, words that even yet Who borrow all their hues and qualities Is my own lowly cottage, where my babe What uproar and what strife may now be stirring His belief this revolution will bring needed political change to Great Britain and Europe, dissolves with the revolutionary crimes of the new French government and the swift invasions of European nations that follow. I agree with the first comment, it is far too long, and he does tend to stray from one train In “Fears in Solitude,” written soon after, and the source of this fine characterization, the sense of danger and vulnerability is directly related to political apprehensions. Have drunk in all my intellectual life, In this low dell, bowed not the delicate grass. And yet, he is able to see through the falsehood and understand the wrong his country has done. With slow perdition murders the whole man, No guess All lovely and all honourable things, He has found a place in which he can be alone and connect with his inner being. Coleridge decries the meaningless mumbo-jumbo and ignorance of the clergy to the 'sweet words of Christian promise'! I. Y e Clouds, that far above me float and pause, Whose pathless march no mortal may control! This robe, he claims, is taken off “at pleasure”. They are “too sensual to be free”. For this reason, he refers to it as “undetermined” and yet it has crept in and invaded his quiet place. it is very good poetry, and see the meaning of war, bloodshed, and understand why he They are in a way close to prayer and confession. A green and silent spot, amid the hills, A small and silent dell! therefore my friend, sorry, I am no fan! Written during the alarm of an invasion in April, 1798. Stand we forth ; No singing sky -lark ever poised himself. He says that no one could prove that his country was anything other than “dear and holy” to him. This, of course, refers to reading the newspaper in the morning and finding entertainment out of the bloody news that comes with times of war. Coleridge’s belief is man should live a simple life in harmony with nature. His soul in calmness, yet perforce must feel He wants them to realize that they have become an evil people “who laugh away all virtue” and even “mingle murth with deeds of murder”. Thy church-tower, and, methinks, the four huge elms He understands that the government’s “folly” and “rank wickedness…gave them birth and nursed them”. Freedom, themselves too sensual to be free, Even so, my countrymen ! Thy clouds, thy quiet dales, thy rocks and seas, The weak is always found in the crowd. Although his previous words reveal that he is aware of the vices of his country and it’s hunger for war and victory, he also hopes that the enemy will not react and attack. about Coleridge it is my monograph issue Ye ocean waves, that, wheresoe'er ye roll, Yield homage only to eternal laws! A livelier impulse and a dance of thought ! by Samuel Taylor Coleridge. His body and his soul ! you can help me? he 'wails, appeals, depreciates, objurgates in a flaccid and querelous fashion' Whalley on the Rime. He describes his home and reveals that he has a wife and child at home. A canto is a subsection of a long narrative or epic poem. With light This is the reason he has spoken out against the wrongs he has seen his country do. What uproar and what strife may now be stirring All individual dignity and power In this place of solitude, he is able to think about “love and the thoughts that yearn for human kind”. I have read and re-read as ther is so much to ponder in it. To yield a justifying cause ; and forth, The minstrelsy that solitude loves best), But, then reading the remaining comments they feel In this beautiful little nook of nature, the speaker’s thoughts were of concern for his countrymen. Bathed by the mist, is fresh and delicate He feels as they do about his country. of thought to another without clarity. recalled and may the vaunts No singing sky-lark ever poised himself. In a half sleep, he dreams of better worlds, International House, 24 Holborn Viaduct, London, EC1A 2BN, United Kingdom, Fears in Solitude by Samuel Taylor Coleridge. He is not an enemy of his people, but he is not quite one of them either. My God ! And yield them worship, they are enemies Though still a sunny gleam lies beautiful, A timely poem for this age of Trump. Secure from actual warfare, we have loved Steamed up from Cairo’s swamps of pestilence, Homeward I wind my way ; and lo ! Without the infidel’s scorn, make yourselves pure ! ’tis a quiet spirit-healing nook ! He longs that humanity would be kind and true and do what is right. Invasion, and the thunder and the shout, Are muttered o’er by men, whose tones proclaim Like fancy-points and fringes, with the robe Oh ! Meanwhile, at home, Whatever makes this mortal spirit feel Who will not fall before their images, He believes that the people as a whole do not think about the soldiers who die as individual people. And grateful, that by nature’s quietness Which all, methinks, would love ; but chiefly he, College and wharf, council and justice-court ; He mourns the fact that brothers and sisters will be out there killing each other in the name of war, supporting causes they don’t even know how to justify, and using “dainty terms” to cover the brutal reality that killing in war is the murder of one’s own kind. Solitude in a pastoral setting allows his heart to go to these dark places, an exhausting journey from which he returns as the poem closes. As if the fibres of this godlike frame The poem was written in April 1798 and is not neutral musings about nature, an imaginative flight and return to reality, but rather a reaction to fearful politics of the time. He implies that this is done for amusement when he says, “the best amusement for our morning meal”. His fears are for the fate of his countrymen. If we don't think about this slaughter, who will? Some, belike, The Wanderings of Cain; To --The Ballad of the Dark Ladié; Kubla Khan; Recantation: Illustrated in the Story of the Mad Ox; Close section 1799. Such have I been deemed– And borne to distant tribes slavery and pangs, wrote the poem. The feisty and bloodthirsty skylark is something I never saw or heard of in all my born days! Fears In Solitude by Samuel Taylor Coleridge A green and silent spot, amid the hills, A small and silent dell ! He does not wish to see the punishment that his fellow countrymen deserve. O native Britain ! Dote with a mad idolatry ; and all Aslant the ivied beacon. A superstitious instrument, on which For all his human brethren–O my God ! on whether I understand the message of the poem immediately, and the writer's inspiration, The poem was written in April 1798 and is not neutral musings about nature, an imaginative flight and return to reality, but rather a reaction to fearful politics of the time. And so, his senses gradually wrapped In a half sleep, he dreams of better worlds, be men ! A Conversation Poem. A radical causation to a few And so, his senses gradually wrapt Ruth Scobie on Fears in Solitude. Deepak Chopra. Who laugh away all virtue, mingling mirth Pulled off at pleasure. Auto refers to the self and phobia refers to fear. thanks. Fears in Solitude, written in April 1798, is one of Coleridge's conversation poems, and was composed while France threatened to invade Great Britain. Alas ! The speaker desperately wishes that his countrymen would “return not with a drunken triumph but with fear, repenting of the wrongs” they had done. In Greek, the fear of solitude is called Autophobia. Here, it becomes clear that the speaker is referring to slavery and the way people would use and sell other human beings for money. The pastoral images beginning and ending the poem, rejoice in mankind in harmony and peace with the ‘fresh and delicate’ balance of nature. I find myself upon the brow, and pause Even so, my countrymen! Merchant and lawyer, senator and priest, Nor deem my zeal or factious or mistimed ; We gabble o’er the oaths we mean to break ; In such a quiet and surrounded nook, Coleridge’s Fears in Solitude – propaganda in Britain in 1798 – Dr Ildiko Csengei analyses Britain’s fear of invasion by the French at the turn of the 19th century. This suggests that the speaker is referring to a threat his country has received. Strong and retributive, should make us know He calls to them to stand up for what is right and to go against the grain of their generation by doing what is right. The minstrelsy that solitude loves best), And from the sun, and from the breezy air, Sweet influences trembled o'er his frame; And he, with many feelings, many thoughts, Made up a meditative joy, and found Religious meanings in the forms of Nature! Religious meanings in the forms of Nature ! Others, meanwhile, Within the limits of thy rocky shores. ‘Fears in Solitude’ by Samuel Taylor Coleridge is a historically significant poem in which the speaker discusses the threats his country is facing. Here he might lie on fern or withered heath, have we gone forth Were gored without a pang ; as if the wretch, Like a lot of Romantic lyric poetry, Samuel Taylor Coleridge’s ‘Fears in Solitude’ is about a lone, thoughtful speaker-poet in a peaceful “green and silent spot”. He believes that his country has called down chaos upon itself. And my babe’s mother dwell in peace ! O’er stiller place He criticizes his country for choosing their “mandates for death” by sending thousands of young people who “would groan to see a child pull off an insect’s wing” into a gruesome and terrible war. Instead, they were “passionate for war”. But Coleridge was writing, as the poem’s subtitle tells us, “in April 1798, during the alarm of an invasion”. A sight close to the poet’s heart, he tells us of a ‘green and silent spot, amid the hills’ (Fears in Solitude, l. 1) where ‘No singing sky-lark ever poised himself’ (Fears in Solitude, l. 3). This continued tone of a prophet to his people puts the speaker in a position all alone. This short stanza is the speaker’s prayer and hopes that his warning may be unnecessary for the time being. And technical in victories and defeats, This essay will read Samuel Taylor Coleridge’s 1798 poem, “Fears in Solitude,” in the context of letters, memoirs, pamphlets, prints and caricatures that were produced in Britain during the 1797-98 French invasion scare. As vernal corn-field, or the unripe flax, The poem was written in April 1798 and is not neutral musings about nature, an imaginative flight and return to reality, but rather a reaction to fearful politics of the time. The sweet words He is sobered by the thought that a man could find “his soul in calmness” when alone in nature and yet also be at war against other human beings. Stand forth ! How shouldst thou prove aught else but dear and holy The speaker criticizes these people as ignorant of the realities of war. Fondly these attach We send our mandates for the certain death Who, playing tricks with conscience, dare not look And elmy fields, seems like society– As the speaker nears his home, he is thankful for his quiet place where he can go to think and be alone with his inner being. Groaning with restless enmity, expect Who ever gazed with fondness on the forms The speaker, once again, makes the effort to identify with his countrymen by proclaiming his love for his country. He says that he can feel it “o’er these silent hills” and it feels like an “invasion” of the calm solitude he had found. He desperately wishes that the enemy’s threats will pass away, that Great Britain may continue in peace. We have been too long He says, “we trundle [the dainty terms] smoothly o’er our tongues”. They startle him when he has come from his place enjoying nature. Not with a drunken triumph, but with fear, Goodreads helps you keep track of … Poison life’s amities, and cheat the heart All bonds of natural love, and find them all Then, perhaps, they could truly grasp the grotesque nature of war rather than being bloodthirsty and hungry for victory. Fears In Solitude by Samuel Taylor Coleridge is not a simple Romantic Lyric poem reflecting upon nature. Everything is repeating underscoring the need for the transformation of humanity! Here, the speaker accuses his countrymen of making an idol out of their government. The desolation and the agony For war and bloodshed ; animating sports, The new generation was not familiar with the agonies of past wars. To me, who from thy lakes and mountain-hills, I have told And all that lifts the spirit ! The speaker then becomes even more direct and pointed in his accusation. Unknown. The hills are heathy, save that swelling slope, Many people have claimed to feeler closer to God when alone in nature. Contemptuous of all honourable rule, Although he finally found a place of peace and quiet- a place in which to connect with nature and his own spirituality, the strife of humanity was about to invade. ‘Our brethren! Knew just so much of folly, as had made Because of this, the “owlet Atheism” appears “from his dark and lonely hiding-place”. The hills are heathy, save that swelling slope, Which hath a gay and gorgeous covering on, All golden with the never-bloomless furze, Which gave them birth and nursed them. He expresses his love for his country and gratefulness for the ways in which his country has shaped him. This way or that way o'er these silent hills- The speaker seems unwilling to leave his spot. Spectators and not combatants ! Fears in solitude written in 1798, during the alarm of an invasion ; to which are added, France, an ode ; and Frost at midnight This edition was published in 1798 by J. Johnson in London . All, all make up one scheme of perjury, We have offended, Oh ! From curses, and who knows scarcely words enough All sweet sensations, all ennobling thoughts, May my fears, Pollutions from the brimming cup of wealth ; Thus, they trust their government by default and never think about its vices. Unborrowed from my country ! He learned, in his home country, to feel “the joy and greatness” that his future “mortal spirit” would experience. A green and silent spot, amid the hills, A small and silent dell! Rather, he is burdened and saddened by their choices as a whole. The speaker clearly hates these terms. O Britons ! AN ODE. He reminds his hearers that each person has but one life to life. To deem them falsehoods or to know their truth. More likely the tiny passerine is an anthropomorphic symbol of joy (see Shelley's 'To a Skylark' and Keats' 'Ode to a Nightingale') or a symbol of the visionary imagination! Coleridge is not writing a simple conversational poem, investigating landscape in reflective contrast to the effects of the French revolution, within the spiritual nationalistic nature of empires at this time. Read, review and discuss the Fears In Solitude poem by Samuel Taylor Coleridge on Poetry.com This suggests the British government makes decisions for its own pleasure rather than the good of its people. Fears in Solitude by Samuel Taylor Coleridge. Poems are the property of their respective owners. The conclusion doesn't entirely overcome the feelings of dread which dominate the rest of the poem. The use of the word “fratricide” further implies the speaker’s feelings toward this war. Father and God ! With deeds of murder ; and still promising The fruit-like perfume of the golden furze : That faith doth reel ; the very name of God Fears in solitude, written in 1798, during the alarm of an invasion. The 'Fears' that beset the poet in his solitude concern the dangers whether or not they may seem factious or ill-timed are only too real. With this reference, the speaker appeals to the religious beliefs he knows are predominant in his country, asking them to do what is right and refuse to worship the British government, but rather to stand for what is right. The use of the second person “we” suggests that he still identifies with his country and feels a sense of camaraderie with his fellow countrymen. I have told, The speaker becomes a little more pointed in this stanza, as he names his audience when he says, “O Britons!” Until this stanza, his audience was implied but not blatant. for ages ignorant of all Fears In Solitude . He hopes that the threats will “pass like gust”. All change from change of constituted power ; Every single person that visits Poem Analysis has helped contribute, so thank you for your support. Swept from our shores ! O my Mother Isle ! Then, however, the speaker reminds his readers that he is one of them. They refer to the death of a soldier “as though he had no wife to pine for him, No God to judge him!” With these words, the speaker emphatically calls upon his countrymen to remember the value of a single human life. it is a melancholy thing A small and silent dell ! Sparknotes bookrags the meaning summary overview critique of explanation pinkmonkey. The speaker has already established that he loves his country dearly and that he fears for it because of the decisions of its leaders. I am not a scholar, so I'm afraid my comments are very basic, and rest This poem has not been translated into any other language yet. To which are added, France, an ode; and Frost at midnight Item Preview remove-circle Share or Embed This Item. He refers to Great Britain as “divine and beauteous island” which is to him a “most magnificent temple”. In this stanza, the speaker continues his biblical tone of a prophet when he cries out to God for forgiveness on behalf of his countrymen. I appreciate my favourite poet's view forever! He prays, “Spare us yet awhile Father and God!”. He says that he has become who he is because of his country and that he has “drunk in all [his] intellectual life” from his home country. With this statement, the speaker suggests that people are prone to believe in God. Of the sweet infants, that but yesterday O'er stiller place. I found it a very confusing poem to read, and follow. His country is where he learned “all adoration of God in nature” and where he came to admire “all lovely and all honourable things”. He continues his adoration of his country by saying that he walks “with awe” as he sings about the God who made him. Its ghastlier workings, (famine or blue plague, The speaker rises to leave and as he walks toward home, he finds himself startled to look up and see the mansion of a friend and his own little cottage nearby. Then he says, “and all Who will not fall before their images, And yield them worship, they are enemies Even of their country!” This is clearly in reference to the Book of Daniel, where the Jewish exiles were commanded to worship and pray to only the Babylonian king. From the first lines of ‘Fears in Solitude,’ it’s clear that the speaker does not entirely support the government under … This “perjury” causes one’s faith to “reel” and makes “the very name of God” sound like nothing more than a “charm”. Might stem destruction, were they wisely preached, Engulfed in Courts, Committees, Institutions, Her article, ‘The Literature of Fear in Britain’ focusses on Coleridge’s poem, written following a French force landing at Fishguard the Book of Life is made a superstitious instrument,” he refers to those who have used the Bible for their own personal gain, twisting the words in order to support their own selfish desires. He calls her “dear Britain” and “O my mother Isle”. No speculation on contingency, Discover and learn about the greatest poetry ever straight to your inbox, To create the home of poetry, we fund this through advertising, Please help us help you by disabling your ad blocker. The speaker refers to people who are hungry for money, gain, and victory and claims that they “cheat the heart of faith and quiet hope, and all that soothes and all the lifts the spirit”. The speaker laments this and he calls for the repentance of his countrymen. Poor drudges of chastising Providence, Proof of this and the political nature of the poem, are the removed lines attacking William Pitt and the British government in some later editions. Render them back upon the insulted ocean, Fear of the East. All adoration of God in nature, From east to west Solitude isn’t loneliness. Becomes a fluent phraseman, absolute And he, with many feelings, many thoughts, Thank you. Needs must thou prove a name most dear and holy the owlet Atheism, A green and silent spot, amid the hills, It was first published in a small pamphlet collection that included Frost at Midnight and France: An Ode Which now blooms most profusely : but the dell, Of our fierce doings ? Conversing with the mind, and giving it The joy and greatness of its future being ? He has no desire to be the enemy of his country, but he does need to stand up for what he believes in. As he observes the beautiful hills and listens to the skylark which he can hear but cannot see, he concludes that all of his “many feelings” and “many thoughts” consist of “a meditative joy”. , rejoice in mankind in harmony with nature not familiar with the ‘fresh and delicate’ balance of nature, support... Frost at midnight Item Preview remove-circle Share or Embed this Item, they could truly grasp the nature! Was secure and safe from warfare, his fears begin to grip him dangers idolatry. Much like a plague that spreads similar vile practice to other nations his!, Coleridge is deeply ambivalent about his stance towards his own countrymen Great... The feelings of dread which dominate the rest of the word “ fratricide ” further implies speaker. Images beginning and ending the poem God causes Atheism to grow and emerge made a sport out their! Vile practice to other nations is right of human endeavour people were not grateful which hath a gay and covering. 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